William Barton
For two decades, William Barton has forged a peerless profile as a performer and composer in the classical musical world, from the Philharmonic Orchestras of London and Berlin to historic events at Westminster Abbey for Commonwealth Day 2019, Anzac Cove and the Beijing Olympics. His awards include Winner of Best Original Score for a Mainstage Production at the 2018 Sydney Theatre Awards and Winner of Best Classical Album with ARIA for Birdsong At Dusk in 2012. With his prodigious musicality and the quiet conviction of his Kalkadunga heritage, he has vastly expanded the horizons of the didgeridoo — and the culture and landscape that it represents.
“I grew up on a cattle station just outside Mt Isa in northwest Queensland. I started learning the didgeridoo from about the age of seven from my uncle, Arthur Peterson. He was an elder of the Wannyi, Lardil and Kalkadunga people.”
His mother — singer, songwriter and poet Delmae Barton — remembers him dancing to Elvis Presley when he could barely stand. He recalls Beethoven and Vivaldi streaming from ABC classic FM radio, and AC/DC in his cassette player. Through it all, the hypnotic whoop and drone of the didgeridoo wove a common thread in his imagination.
By the age of 12, William was sure enough of his destiny to leave school to concentrate on music.
At 17, William realised a lifelong dream when he was invited to perform with the Queensland Symphony Orchestra. But the full, rapturous embrace of the classical music world came in 2004, when Tasmanian composer Peter Sculthorpe unveiled his Requiem with the Adelaide Symphony Orchestra and guest soloist, William Barton.
That night, William was invited to join the orchestra in Japan, to perform Sculthorpe compositions Earth Cry and Mangrove. Tours to the USA and New Zealand followed, and the composer and didgeridoo artist cemented a firm creative partnership. "William offered me a new direction," the late composer has said, praising his instinctive musicality and skill as an improviser.
Often in the company of Delmae, with whom he has an indelible creative bond, William was soon performing on classical stages from the Vatican to the royal court of Spain. As a wildly passionate electric guitarist and jazz-fusion enthusiast, he has appeared alongside Iva Davies’ Icehouse at the Sydney Cricket Ground, and in conservatorium recital with concert pianist Simon Tedeschi.
By the mid 2010s, despite a bare minimum of formal musical education, William had won an ARIA Award for his classical album Kalkadungu, composed a world premiere work for members of the Berlin Philharmonic at Sydney Opera House, and unveiled his first string quartet, Birdsong at Dusk, with the Kurilpa String Quartet and Delmae on vocals. In a recent prestigious event that was broadcast live on BBC One, he premiered his composition “Kalkadungu’s Journey” at Westminster Abbey for Her Majesty The Queen, Head of the Commonwealth, and the Royal Family, at the Commonwealth Service to commemorate Commonwealth Day 2019.
Today he holds honorary doctorate degrees from the Universities of Griffith and Sydney, has had released five albums on the ABC Classics label and is an Artist in Residence at Melbourne Recital Centre. His most recent album, Kalkadungu: music for didjeridu and orchestra, features predominantly his own compositions, alongside those of Delmae and Peter Sculthorpe.
